First, I find extremely uncomfortable that someone is
talking about some else’s biography, while mixing their own opinion. I do not
what is part of the biography and what is opinion. Secondly, I found ironic
that in p. 275, the writers starts by saying “throughout his various
autographical writings, a sense of the self emerges…”. I actually hope that a sense
of self emerges while writing autography.
Anyhow, This article is mostly about self-representation and
self-biographies. I think it is very obvious that our pasts influences our
present and our future. Our culture, our good memories, our bad memories, our
religion, our morals, our everything,
changes our outcome. That is why everybody is different. As humans, as artists,
as filmmakers, as editors, and writers will have a biased touch by us, every
contributor, even it is totally honest or fake. Nobody can guarantee that everybody
will like it, comprehend it, share it, learn from it, remember it, but everything
we do as artists can reach and even change anybody, even in the future. I agree
that “is not to say that avant-garde film is ‘dead’, just that it is becoming
increasingly difficult to finance”. That why many things, previously part of
human daily lives, are parts of museums: difficult to be part of our
contemporary lives and with no compatibility anymore. Also, that the “splitting
oneself across numbers of different axis: child and adult, old world and new…”.
What do we show to this clueless audience? Appealing to the old fashion? Appealing
to the new? To the natural? How do we
make it exciting? Interesting? Do we show our motivations? Influences? Our emotional
truth? Would that be enough, or it would be too much? Do we distort it? Exaggerate
it? Fake it? Would it be a home movie? A detailed one? do we make it about oneself?
About others? About something or somewhere? About suffer? About happiness? How long?
Do we edit it? A little bit or a lot? Close-ups or improvised?... and many more
doubts and liberties has the film, documentaries, biographies, and many other.
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