A Whole Lot of Excessive Information.
In the Kino eye, Vertov tends so spend a lot of time dragging out different points and making them seem more complex than they actually seem. For instance, Vertov says at on point, " the eye submits to the will of the camera and is directed by it to those successive points of the action ( page 19)." After this, he gives two samples of what he means and expands even further, making it quite confusing. All in all, I think he was trying to get across that the kino eye is better than the human eye, and montage very much important to him.
No comments:
Post a Comment